We have gained extensive real-world stereoscopic editing and 3D re-positioning experience working alongside widely respected 3D IMAX producer Phil Streather from Principal Large Format.
Ralston has been pushing the Pablo stereo tools to their limit whilst working on the award winning 3D film Bugs! for digital 3D cinema.
The 40 minute IMAX 3D epic required a data conform, shot stabilisation, colour grading and 4K vfx shot rebuilds to complete the reversioning work and final DCP master for digital cinema release.
Since the majority of the stereo 3D is played just in front of the screen in the IMAX theatre, extensive re-converging on the Quantel Pablo was also a fundamental requirement for the new digital cinema package (DCP).
