VFX, Design & Graphics

        Fusion 6 (64bit)  stereoscopic plug-ins / Nuke Compositing / Shake / Maya /3D max

        Motion tracking, Boujou 5, Picture Stabilization (Mocha) , Painting, Rotoscoping

Archiving

               Directly to LTO 3 and LTO 4

Duplication from and to ...

        D5, HDCAM SR  SQ/HQ 50P, HDCAM, DVCPRO HD,

        HD framerate conversions and HD/SD Down-Up Conversions      

        HDV, Digibeta, DVCam

        BetaSP, 1”, BVU SP, 3/4" low band U-matic

        DVD, VHS, DA88, DAT, CD

Digital Intermediate Grading Suite

        Quantel Pablo 4K non-compressed / in-context grading / no proxy working

        Primary and secondary grading, dynamic shapes, unlimited cascades

        Used for edl conforming, titles /end rollers /subtitles, Picture Stabilisation

        Background data archiving, near real-time rendering in 2K and 4K

        Ability to edit and grade all formats in “resolution co-existence”

        Christie CP 2000 DLP 2K projection / dpx out to film recorder / DCP mastering

Stereoscopic 3D Post Production

        Quantel 4K Pablo / Left eye, Right eye real-time playback

        Interactive 3D post-production work flows

        Sony SRW-1 HDCAM SR duel stream 4:2:2 playback

        Christie DLP 2K projection

        Xpand active 3D stereo system

        Pablo gives you the ability to adjust stereo strengh and convergence in real-time

Editorial

        Quantel Max and iq workstations / 4K-2K-HD and SD non-compressed non linear editing

        Final Cut Pro HD /AVID Media Composers / HD monitoring / PPM’s / HD VT decks /

        Shared Networked Storage across all suites

Conforming

        Fast EDL / AFF conforming from in-house HD SR decks via Duel Link 4:4:4 quality if required

        Avid and FCP project total conforms from tape and mixed data and mixed frame rates

        Networked data conforming at 2K /4K directly from our Quantel GenePool

Tape I/O

        Quicktime, Final Cut Pro projects and AVID projects to Tape (all formats)

        Tape (all formats) to Quicktime or Data (DPX,TIFF, TARGA,JPEG2000 image sequences)

        Ingest P2/ SxS / XDCAM HD footage for use in FCP / AVID / Quantel suites

        File Transfers to clients own FireWire drives

Data I/O

        S-two small and large D-mags, Dalsa 4K Ciprico Media Vault import, raw 10bit log dpx,

        P2, XDCAM, SxS Express Cards, MXF Files, Red R3D files and CineForm Raw workflows

Dailies

        Encode HDCAM SR, HDCAM to QT / Windows Media

        Encode HDCAM SR, HDCAM directly into AVID/FCP Drives - Project based logging

        DVD Dailies with scene chapter points / BITC and production text copyright overlays

        Data Dailies transfer via FTP and/or Sohonet to secure locations

Non Compressed Managed Secure Storage

        Quantel Genetic Engineering throughout the facility

        Fusion / Nuke compositing work stations share media directly from the GenePool

Film Scanning and Recording

        s16mm / 16mm and 35mm film scanning

        HD tape format filmout services to 16mm and 35mm

        Grain, noise, flicker, dirt and scratch removal

Stereo 3D Rig Hire

        SwissRig /  Beam Splitter Motorised I/O Rig

        P&S Mirror Rig

        Side by Side / Steadicam Rigs / Helicopter Platforms